Siuda Baba, a person appearing on the Easter Monday in only a few villages in southern Poland, is a great example of how bits of the informations about the old religions and customs were carried on by rural communities over the long centuries and how they survived in a form of local folklore traditions.
One of the events of the most mysterious roots held in the city of Kraków (Cracow) in Poland is a festival called Rękawka (pronounced ren-kav-kah), organized on the first Tuesday after Easter on the famous Krakus Mound, one of the 5 historical man-made mounds that you can see nowadays in Kraków.
Linden trees were among the most sacred trees in the Slavic tradition, just as in many other cultures where these trees can be naturally found in the climate. In the old days in Poland a linden tree was believed to have strong protective properties and was commonly associated with ‘female’ aspects of the nature (paired with an oak tree representing the nature’s ‘masculine’ side in the rural traditions). Its natural ability to a quick recovery was praised and symbolized rebirth and fertility, extremely important for example in the spring and summer rituals.
There are two species related to modern cattle that hold a significant importance in Poland. One of them is wisent (Polish: żubr), commonly called an ‘European bison’, which you can see nowadays in the wild in many sites not only in Poland but also in other European countries where it was reintroduced. Second is aurochs (Polish: tur) – an extinct species of European wild ox, ancestral to domesticated cattle.
Below you can read a few basic informations about them and about their relations to Polish geography, history and culture.
There are various, we might call them, ‘specializations’ or ‘professions’ of the Slavic spiritual leaders in the sphere of Rodnovery (Slavic Native Faith), determined on the basis of old resources and continuous folklore traditions. Below I described shortly some essential informations that, hopefully, will show you clearly the main differences between the most well-known of such specializations: wołchw, guślarz and żerca.
Important side note: these are the names of those specializations in the Polish language, and they are spelled differently in the other Slavic languages in which they also exist.
There are dozens of mountains and hills in Poland sharing the same name: Łysa Góra, also: Łysica, both translated as a ‘Bald Mountain‘. Just like in many other Eastern European and particularly Slavic legends, folklore and culture, reflected for example by the Russian composer Modest Mussorgsky’s in the series of compositions entitled ‘Night on Bald Mountain‘, the notion of a bald mountain is connected to various folk tales about gatherings of the witches and about devilish sabbaths.
Today I’m going to focus on only two of the ‘bald mountains’ which are extremely famous over here in Poland for their history and for rich legends ingrained in the local culture. These are the neighbouring mountains of Łysa Góra and Łysica located in south-central Poland. They belong to the Świętokrzyskie (Holy Cross) mountain range, the oldest range in Poland and one of the oldest in Europe in the terms of geology. The first of the mentioned mountains is also called by its younger name of Święty Krzyż (Holy Cross), applied after a Christian monastery bearing that name had been built on the top of the mountain around 11th century. It was one of the first monasteries in the medieval Poland, and it is this particular monastery what gave the new name not only for the mountain but also for the whole range to which it belongs, and later for the whole Świętokrzyskie Voivodeship (one of the 16 administrative districts of Poland). Despite the centuries of the monastery’s existence, the name of the Bald Mountain for this place prevailed in the common culture and there are countless mysterious tales describing this place, passed down for generations.
Wreaths and other hair ornaments made of flowers and herbs are an essential part of many of the Polish rural customs. Athough most of the customs became almost extinct on the course of the 20th-century modernization of the society, and are preserved mostly in local ethnography museums, there are still certain festivals bearing remnants to the pre-Christian Slavic rites still alive within the Polish culture nowadays. The bridal flower crowns are among the customs that faded away – but can be still spotted around, for example on reenactments of the traditional weddings by various ethnography organizations, in art and culture (including e.g. theatre or cinema), or on some rather rare occasions of weddings when the bride decides to wear a traditional Polish garment instead of the modern white dress.
This post is going to be more of a gallery with examples of the traditional flower crowns of the brides wearing the traditional Polish folk costumes, but of course I’m not leaving it here without at least a bit of the essential informations about this custom for you. Before I start, keep also in mind that the custom shared a lot of common elements coming from the same old Slavic roots – these are the elements I’ll try to describe – but naturally had a lot of regional flavours and differences.