Many of you might’ve already heard about Zalipie, a small village in southern Poland where an old custom still survives nowadays: houses are decorated in rich flowery patterns both on the inside and outside. Today I want to describe a short history of that custom for you, and also to show a few examples of similar decorative folk art in the other regions of Poland from the past. Painting the interiors of cottages – and in rarer cases the exteriors as well – is an old tradition known from many rural regions of the Eastern and Central European countries, including Poland. In a lot of documented historical cases from around 100 years ago the painted patterns were rather simple in form and their meaning was connected to the forgotten protective rites.
Wigilia dnia św. Łucji, noc czarownic – the Eve of St. Lucia Day (the night between the 12th/13th December), ‘the night of the witches’.
In the Polish folk beliefs the night preceding St. Lucia Day (the evening of 12th December) was traditionally believed to be a night of the witches’ gathering, a ‘boundary’ time when the earthly and otherworldly realms are getting much closer. It used to be commonly known as the ‘night of the witches’.
Snowstorms are a sign of the witches fighting for the power: for the leading role during the upcoming year. They are also coming close to the human settlements and it is extremely dangerous for both the people and the livestock to be outside on that night. It was forbidden for the kids or the young maidens to go out – the highlanders believed that they might get stolen. Mothers protected their newborns, often staying awake by their cradles for the whole night: their infant might be stolen and replaced with an odmieniec (changeling).
People feared also that the witches could throw charms on their cattle: for example cows might cease to give milk (which is the main food resource among many highlanders, used for producing cream, butter and cheese that are vital for survival during the winter season). People protected their wood: if some planks were stolen, they believed that the witches would later use them to cast dangerous spells during the Christmas night.
People believed that the places of the witches’ meetings on that night are certain geological points of unique features. For example, it could be a place where three streams are coming together (as believed in the village of Sołonka) or a clear-cut edge of a forest. It could also be a location where borders between certain clearly designated areas are relatively close to each other, like a field between two villages that are located not far one from another.
People protected themselves in many ways. It was common to fasten thorns and protective herbs to the doorsteps of the houses and to the tresholds to the barns, and inside the buildings. It was extremely important to remember what kinds of herbs and in which locations did one leave the bundles: if there was something new, it meant a witch had sneaked into the property and left a cursed bouquet. In some areas the cattle was ‘bathed’ in smoke from garlands that had been blessed on the Day of the Divine Mother of Herbs earlier that year. Wise men and wise women were whispering calming speels to the ears of the livestock.
Those beliefs were found among Polish villagers from numerous regions across Poland, but they were particularly vivid in the culture of the regions north to the ranges of the Tatra Mountains and some parts of the Beskidy Mountains, and a lot of tales about that special night survived in the folktales of the highlanders from the northern slopes of Babia Góra (meaning literally: Mountain of the Crones). Most of the Polish Górale (higlanders) living in those mountainous parts of southern Poland had a particularly strong belief in the ‘night of the witches’, shaped quite literally by the local geographical conditions. That night marked the time when the Sun starts sinking so low above the horizon that it hides behind the local mountains quite early in the afternoon and makes the night much longer for the local highlanders this way.
The next day – 13th December – was seen as the best for divinations. For example, in many villages young girls were ripping off a cherry branch and putting it into a vase in their rooms. If the branch bloomed by the beginning of January, it was a good sign for the upcoming year: designating a marriage, prosperity or general success. The 12 days until Christmas were closely observed: each day predicted events or weather for a respective month in the upcoming year.
Polish sources for further reading:
People in the old Polish countryside were very particular about maintaining certain rites and preparing protective accessories in their household and the whole farm enclosure. These customs stemmed from pre-Christian Slavic protective rituals, and – despite the centuries of influence of the Christian church – they survived in continuity for as long as the early 20th century in many parts of the rural Poland.
The following informations I’ve translated for you are describing the old protective customs from the historical region of Mazowsze (Eng: Mazovia) located in the north-east parts of the central Poland. The same or very similar customs are common in other regions of Poland, as well as in many other Slavic countries.
Wreaths and other hair ornaments made of flowers and herbs are an essential part of many of the Polish rural customs. Athough most of the customs became almost extinct on the course of the 20th-century modernization of the society, and are preserved mostly in local ethnography museums, there are still certain festivals bearing remnants to the pre-Christian Slavic rites still alive within the Polish culture nowadays. The bridal flower crowns are among the customs that faded away – but can be still spotted around, for example on reenactments of the traditional weddings by various ethnography organizations, in art and culture (including e.g. theatre or cinema), or on some rather rare occasions of weddings when the bride decides to wear a traditional Polish garment instead of the modern white dress.
This post is going to be more of a gallery with examples of the traditional flower crowns of the brides wearing the traditional Polish folk costumes, but of course I’m not leaving it here without at least a bit of the essential informations about this custom for you. Before I start, keep also in mind that the custom shared a lot of common elements coming from the same old Slavic roots – these are the elements I’ll try to describe – but naturally had a lot of regional flavours and differences.
In the old times there were no Christmas trees in the Polish houses. They became widespread only in the first half of the 20th century, but were not in use in most of the rural households of the central, southern or eastern Poland as late as before the World War 2. At first, the decorated Christmas trees started coming to the Polish houses around the late 18th century, first appearing in the houses of protestants, and then being adopted by the Polish townspeople and the upper classes. Eventually, the Christmas Trees came with so-called ‘commercialization’ of Christmas in the 20th century – just like in the other countries celebrating the holidays around the world. What did the Polish people prepare to decorate their houses before that?
Today I’d like to introduce you to two mysterious characters from Polish folklore, and to a few other elements related to pre-Christian Slavic celebrations of the winter solstice and the later season of carnival. Informations about them survived in local folk customs, to be precise in Christmas rites called in Polish kolędowanie or kolęda (known in English as Slavic caroling).
The beauty of folk costume. Just like in other parts of the world, in the old days the folk clothing was one of the main elements of Polish rural culture inscribed into the rich patterns of festivities and rituals. These costumes were considered elegant, and were worn only for special occasions: religious celebrations, seasonal festivities, important life events like weddings. They were a cultural manifest of the origins in a small regional level. People could tell each other apart on the basis on small differences in the clothing. Clothing of some regions might be similar to an unskilled eye, but the tiny details like patterns of embroidery or colors and width of the striped fabrics were telling precisely from which town or village did the piece of clothing come. They differed in details important to the locals, and the details of patterns were often passed down from generation to generation. This way the locals in some regions were even able to tell a family from which a person wearing a costume came from.
Some of you who follow me for a long time might already know that I run a side project polishcostumes.tumblr.com. It’s an educational gallery where I collect modern photos and archival materials about traditional clothing from all regions of Poland found around the Internet. I invite you to visit the link later (it’s linked also at the bottom of this article) in case you want to browse through more images and discover more examples Polish folk clothing, or to see old photographs and drawings or details like closeups of embroidery. I prepared there also a list of regions where all the names of the places are organized in an alphabetical order. So far I gathered there photographs and drawings of over 80 regional types of Polish folk clothing.
Here in this article I want to present some of the regions as a simple list with photographs, in order to show you a great variety of the folk costumes in Poland. All the names are linked to proper tags in my gallery of Polish folk costumes where you can see more examples from the region.
Short side notes to keep in your mind: most of the types of costumes shown below have many subtypes, especially those that are defined by larger geographical regions. The pictures show only the most ‘typical’ examples. The regions have many also many types characteristic for different age groups or worn during different seasons of the year. I made myself a limit of maximum 2 pictures per type, and it’s often hard to show everything on them. The list doesn’t show also all the regions / types of the Polish costumes yet. I plan to keep updating it over time to add other regions and hopefully create a complete list of the clothing one day. I prepared the list below in an alphabetical order, the best way for me to check and update it in the future.
(picture-heavy gallery ahead!)