6-petal rosette is an ancient symbol, a part of the overlapping circles grid family that was appearing in various cultures and dates back at least as far back as the Late Bronze Age. It was discovered in numerous lands all over Europe and beyond, including stonework of the old Celts, Visigoths, ancient Egypt, Rome, China, and many others. It was used in early Christian art as well, for example in the stonework of early Romanesque and Gothic churches, as well as in Byzantine structures.
Over the centuries it survived among many different regions all over the continent, including the rural art of the Slavic people. It was widespread notably in the areas around the Carpathian Mountain Range (that include mountainous regions of southern Poland, and stretches across countries like Romania, Slovakia, southeastern Ukraine, northern Serbia, Hungary) where it was used primarily as a protective symbol for the building and appliances.
People in the old Polish countryside were very particular about maintaining certain rites and preparing protective accessories in their household and the whole farm enclosure. These customs stemmed from pre-Christian Slavic protective rituals, and – despite the centuries of influence of the Christian church – they survived in continuity for as long as the early 20th century in many parts of the rural Poland.
The following informations I’ve translated for you are describing the old protective customs from the historical region of Mazowsze (Eng: Mazovia) located in the north-east parts of the central Poland. The same or very similar customs are common in other regions of Poland, as well as in many other Slavic countries.
With the growth of the interest by the Polish people themselves in learning more about our pre-Christian Slavic mythology and faith, we can also observe a growing trend in exploration of the Slavic themes in various forms of art.
In Poland that trend is persistent but remains quite subtle. It’s entering mostly the personal spaces but more and more often also the ‘commercial’ spheres. Take the success of ‘The Witcher’ franchise as an example, the game that is drawing so much from the rich Slavic folklore and mythology, or the ongoing short film project ‘Legendy Polskie’ with modern interpretations of Polish legends by Allegro (the biggest Polish online auction website) that featured the name of Perun and vivid Rodnovery symbolism in one of their most recent videos dedicated to Jaga (Baba Yaga – you can watch the video here, and don’t forget to turn on English subtitles).
What I want to show you today is connected to the personal spaces – more precisely the human bodies. It’s the revival of the almost-forgotten traditions meeting the modern ways of self-expression.
In the recent years many more of Polish tattoo artists are getting requests to create an artwork inspired by the Slavic faith or mythology. We can also see such fascinations across the other Slavic countries where popular Rodnovery symbols are being tattooed. In Poland what’s been popular recently is beautiful and unique portraits of the Slavic gods or demons – unique personal intepretations of their appearance by the tattoo artists.
Below you can see only some examples that recently caught my eye (the artists’ pages are sourced respectfully under each picture):